(Updated April 25, 2024, Updated January 4, 2025) Selu/Selene is the feminine emotion/motion source power. Feminine powers either allocate or direct the raw power generated by their complementary masculine power which in this case is Su who creates the motions and emotions which change things. She is the goddess of celestial light and the inner spark of life in contrast to Su's darkness of the new moon and eye pupil. She allocates emotional arousal and emotional strength. Her celestial healing acts to keep emotions in balance.
The word “Selene” in Akkadian means “powers of Selu with its /en/ ending.” Her images show her with upraised arms indicating her celestial connection.
Greek writer Hesiod (500 BCE) in his Theogony said this about the goddess Selene in line 371 (the "clear" adjective in this text should be translated as "glowing":
And Theia was subject in love to Hyperion (high watchers, divine sparks of consciousness) and bore great Helius (Sun) and clear Selene and Eos (Dawn) who shines upon all that are on earth and upon the deathless Gods who live in the wide heaven.Online at: https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0130%3Acard%3D371Despite this early mention here in Hesiod (and in Homer) no Greek temples were devoted to Selene indicating her foreign origin.
Silver Denarius coin put out by Roman emperor Nero showing the round temple of Vesta on the back-side. 54-68 CE
https://commons.wikimedia.org/wiki/File:NERONE-RIC_I_62-155505_VESTA.jpg
Copper coin showing Selene/Vesta put out by the Roman emperor Caligula around 40 CE. This is now at the British Museum (number R.6458). Vesta is holding a staff of fate and a ring which has been interpreted uncertainly as an offering bowl.
The letters S and C are Akkadian in the Etruscan style. They are actually the letters S and B and form the phrase "Su's nourishment."
https://www.britishmuseum.org/collection/object/C_R-6458?selectedImageId=636472001
(February 17, 2025) In the Aegean and Italy, Selu/Selene became associated with the community hearth as a protector of fortune. The derivative nature of this role is exhibited by the fact that this role is described by an Akkadian phrase. Vesta is the Akkadian phrase US.T meaning "Binders of Astrology-magic." This word is similar to ancient Greek ἑστία (Estia) which is the Akkadian phrase meaning ES.T meaning "Spiritual-fluids of astrology magic." Spiritual fluids were thought to be the ethereal and gaseous emanations of stars and fires. The hearth power protected the community against the powers of fate. As virgins, the Vestal Virgins had nothing to do with fertility and the life powers. In Rome the protectors against fate for the family were the Lares, the "diverters" in Akkadian leaving the Vestal Virgins to protect the state.
Some ancients held that the hearth and center of the universe was Vesta (not the sun). Aristotle wrote this around 340 BCE (in On the Heavens, book 2, section 13, http://classics.mit.edu/Aristotle/heavens.html). Here earth is a star because it moves, not because it shines:
Earlier in section 9 Aristotle clearly states these same Pythagoreans also claimed the sun moved so for them the sun was not at the center of the universe. The Pythagoreans claimed that because they moved they produced a sound which harmonized with all the other sounds of the cosmos. In contrast, Aristotle claims that they are embedded in invisible spheres which move instead and which makes no sound:
In 75 CE the Greek historian Plutarch, who became a Roman citizen, wrote a biography about Numa, the semi-legendary 2nd king of Rome (Numa Pompilius, http://classics.mit.edu/Plutarch/numa_pom.html). He explained the origin of the Vestal Virgins as:
(September 2, 2022) This picture shows Druid goddess Selu (Selene) figurines with their upraised hands behind the little girl to show their scale. This picture was taken in the Minoan Archaeological Museum in Heraklion Crete.
These goddesses are a mix of colors and hand palm directions which seem to indicate how Selu's motion powers are being applied. The red statuettes (red being the color of life) with hands towards each other indicate her motion power is being applied to the life powers, pushing the fertility fluids through the life network. In contrast, the white statuettes with hands forward indicate her motion powers are being applied to the winds to move boats and bring rain.
(January 5, 2025) The Codex Runicus describes the middle-ground Druid theology in which life powers can be properly associated with the magical motion/emotion powers. The life powers make the connection changes in the life network and the motion powers push the fertility-fluids through those connected threads/channels. This way dominate in Aegean Islands and mainland Europe. Contrast this way with the life power devotion of the Israelites and the magical motion/emotion power devotion of the Minoans and Phoenicians.
A debate between those devoted to the life powers and those devoted to the magical emotion/motion powers often breaks out during a drought when each side seeks to blame the other's powers for the drought. This has been good for history because these arguments have given us most of our archaeological stone texts because each side wants to write down their viewpoint on stone.
By the time of the Codex Runicus, Selu/Selene was most often paired with Su using the epithet "Controllers" because the motion powers control all changes.
(September 29, 2023) Letter assignments by Olmsted. Photo from corneliagraco (2010) with Creative Commons license at: https://www.flickr.com/photos/corneliagraco/5224852992/in/photostream
Above map copied from Nijboar (2008)
(Feb 12, 2023) This bowl was found in 1995 within an early Iron Age II archaeological layer in a burial cave. This cave was located in northern Galilee 10 miles (17 km) northeast of Acre and a few miles north of the Jezreel valley (Alexandre 2002a). In 1997 this bowl was cleaned and it was found to contain an inscription (Alexandre 2002b). The bowl’s deposit layer of Iron Age II dates it to between 1000 and 600 BCE. The Etruscans exported these sorts of ritual bowls between 750 and 600 BCE.
The letters on this bronze fluted serving bowl are a mix of Philistine and Israelite meaning it was written locally on a ritual bowl imported from Eturia. The language of the text is Akkadian. It reads:
Selu is the Motion source goddess who represents the spark of animation (soul) as the source of emotions/motions and the glow of the heavenly bodies. Her masculine complement is the full moon god Su. The "revelations" mentioned in the text are the manifestations of invisible life forms provided by the life powers. For a form to be manifested it must be triggered by fertility fluids which in turn must be pushed though the channels of the life network either by emotion magic or astrological powers.
Sass, B. (2005) The Alphabet at the Turn of the Millennium. Tel Aviv. Emery and Claire Yass Publications in Archeology
Alexandre Y. (2002a) The Iron Age Assemblage from Cave 3 at Kefar Veradim. In Gall 2002:53-63
Alexandre Y. (2002b) A Fluted Bronze Bowl with a Canannite – Early Phoenician Inscription from Kefar Veradim. in Gal 2002:65-74
Israel Museum - Online at http://museum.imj.org.il/imagine/galleries/viewItemE.asp?case=14&itemNum=375137
Nijboar, A.J. (2008) Italy and the Levant during the late Bronze and Iron Ages (1200-750/700 BCE) Online at https://www.researchgate.net/publication/288952305_Italy_and_the_levant_during_the_late_bronze_and_iron_age_1200-750700_B_C
Sannibale, Mauzizao (2016) The Etruscan Orientalizing: The View from the Regolini-Galassi Tomb, In Assyrian to Iberia – Art and Culture in the Iron Age. Joan Aruz and Michael Seymour editors. Online at: https://www.academia.edu/36162300/The_Etruscan_Orientalizing_The_View_from_the_Regolini_Galassi_Tomb_in_Assyria_to_Iberia_Art_and_Culture_in_the_Iron_Age_edited_by_Joan_Aruz_and_Michael_Seymour_The_Metropolitan_Museum_of_Art_Symposia_New_York_The_Metropolitan_Museum_of_Art_2016_pp_296_315?email_work_card=title
(Obsolete) Olmsted, D. (Dec 3, 2020) Late Philistine/Phoenician Kfar Veradim Ritual Bowl Text Mentions How Astrological Fate is Overcoming Emotion Magic (730 BCE). Online at: https://www.academia.edu/44626186/Late_Philistine_Phoenician_Kfar_Veradim_Ritual_Bowl_Text_Mentions_How_Astrological_Fate_is_Overcoming_Emotion_Magic_730_BCE
(Jan 29, 2023) This red sandstone statuette was found on the floor of the Hathor temple at the turquoise mine at Serabit el-Khadim in the Sinai. It is blaming the life-priests with their grilled meat fat (aroma) offerings to Hathor (the feminine connective life power of the Ancient Pagan Paradigm).
Top Text in Akkadian (Sinai Text 5.3)
(right to left reading)(Feb 18, 2023, Updated January 4, 2025) This is a silver half shekel.
The lady is the chalice is Kate/Hekate who has the power of life and death. The red Pomegranates represent life.
In Akkadian
(read right to left)In English
In Akkadian
(read right to left)In English