Etruscan Orcus Tomb (490 BCE)
For translation methodology see: How to Translate Alphabetic Akkadian Texts
For translation methodology see: How to Translate Alphabetic Akkadian Texts
(Sept. 14, 2022) The Greeks called them Τυρρηνοί (Tyrrhēnoi) and earlier Τυρσηνοί (Tyrsēnoi). The Latins called them Tusci or Etrusci. This seems to derive from the Akkadian compound word târu.ṣi meaning "turners of activity-powers" in which "turning" is the process of shaping pottery and "activity" is the process of growing life. The Etruscans used magic to shape the powers of life.
The Etruscans gained their wealth from the mining and trade of copper and iron. Their commercial interests collided with those of the Greeks after Greeks were pushed from Anatolia by the Persians. These Greeks founded colonies along the coast of Sardinia, Spain and Corsica and what is now Marseille France in 600 BCE. This led the Etruscans to ally themselves with Carthage who also spoke Akkadian.
After the Battle of Alalia around 540 BCE Carthage managed to expand its sphere of influence at the expense of the Greeks. Etruria regained control of the northern Tyrrhenian Sea with full ownership of Corsica at the cost of losing their southern colonies to Carthage. In 480 BC, Etruria's ally Carthage was defeated by a coalition of Magna Graecia cities led by Syracuse in Sicily. A few years later, in 474 BC, Syracuse's tyrant Hiero defeated the Etruscans at the Battle of Cumae. Etruria's influence over the cities of Latium and Campania weakened and the area was taken over by Romans and Samnites.
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Eturia came into conflict with Rome beginning in 396 BCE with the conquest of Veii by Roman army under M. Furius Camillus. This pressure ended temporarily when in 387 BCE the Gauls under Brennus sacked the city of Rome and presumably much of Eturia. The large Ara della Regina temple in Tarquinia dating to the 500’s BCE was possibly damaged during this time because between 380 and 350 BCE it was reconstructed and expanded.
Veii seems to have revolted bringing parts of Eturia into conflict with Rome once again between 358 and 351 BCE. The war ended with Veii and Caere coming under Roman domination permanently. Rome then turned its attention to expanding southward against the Samnites.
The independence and wealth of Tarquinia ended in 308 BCE when the Tarquinians lost Battle of Lake Vadimo with Rome. They along with other Etruscans seem to have started this war 311 BCE while Rome was involved in a southern Italian war.
(Sept. 8, 2022) About 6,000 Etruscan underground room tombs have been found on the top of the long Monterozzi Hill across the valley from the ancient Etruscan city of Tarquina. This city controlled large river Maria valley and was located 60 km (37 miles) north of Rome.
The tombs date to between 650 BCE and 310 BCE. The tombs of Orcus date to about 490 BCE with Orcus 1 being built slightly earlier than Orcus 2. Only a few tombs have writing but the existence of this writing indicates that these tombs were open to the public for some period of time, possibly during a multi-week funeral rite. Their images were not to impress the gods but were to impress the neighbors.
The tomb of Orcus was discovered in 1868 tomb in the area of the Monterozzi necropolis by a French army officer whose unit was stationed there by Napoleon III to protect the Pope (first reported in English by Dennis 883, page 345 who based it on an earlier Italian paper). The multi-room tomb lay just under an existing modern cemetery. At that time, Tarquinia was already well known for its then estimated 200 Etruscan tombs.
Some frescoes existed in fragments, and that a portion of the ceiling in between the two main spaces had collapsed, perhaps in antiquity. No grave goods were ever reported suggesting they were looted sometime earlier. This also makes the dating of the tomb dependent on the style and pigment chemistry of the frescos (Guerriero, Aug. 2015).
(Sept. 8, 2022, Updated February 28, 2025) The texts and images in the tomb of so-called Orcus 1 tell a story when viewed clockwise from the tombs entrance. The story's first scene is shown on the right.
The rightmost image in the scene is the life power goddess Ayu (Inanna, Ishtar, Hathor) who is identified by her snake skin hat having a network pattern revealed by its scales. She is responsible for editing the network by removing and adding network links. She seems to be holding a young plant stem spurting fluid which likely corresponds to a network link. Another sign of her life power is that she is tanned from the sun because she is the feminine power compliment to the sun god Hu.
The leftmost image is the middle layer motion-power hermaphrodite deity Thu who is wearing the laurel crown to indicate their divine role as a motion deity. The fast-growing laurel tree (Laurus nobilis) is also called the Bay Laurel because its bay leaves are a spice having a unique odor and taste. Either because of its fast growth or because of its aroma this tree has been associated with speed and motion. It was placed on the heads of Greek runners to indicate they were the fastest. They were a champion and from that the laurel crown came to indicate any sort of victor. The hair of Thu has both masculine and feminine components relative to Italian culture with long side hair (feminine) and short back hair (masculine). That this image represents the hermaphrodite deity Thu is provided by a painting in a different tomb called the Tomb of Shields who is “associating” with unknown deity or demon.
(Sept. 8, 2022) This location is labeled "Charun" on the Orcus Tomb map.
The tomb's second scene is that of the demon Skadi which means “harmer” in Old Norse and "tumor" in Akkadian like a cancerous tumor. Demons and Heroes are the first manifestations of dualism in an already lordified Druidic culture. They were not a part of the Ancient Pagan Paradigm yet they were personified powers perceived as good and evil. This image has no text associated with it.
(Jan 28, 2023, Updated February 28, 2025) This location is labeled "Shepherd" on the Orcus Tomb map.
(Sept. 9 2022, Updated February 28, 2025) This location is labeled "Banquet Scene" on the Orcus Tomb map.
(Sept. 9, 2022, Updated December 23, 2024) This location is labeled "Theseus and Tuchulcha" on the Orcus Tomb map. Unfortunately, this image is too destroyed to interpret it fully. All that is visible is a winged donkey spirit with big donkey ears holding a snake over a kneeling man with long hair down his neck. The wings on the donkey spirit indicate it is affecting the middle layer powers of the ancient Pagan Paradigm. The donkey spirit represents the connection between life and the astrological motion powers of the moon.
(Sept. 10, 2022) Next image going clockwise around the tomb represents the top source layer of the Ancient Pagan Paradigm with it water storage. The source of the divine fertility fluids is represented by fluid storage pots on the shelf. These fluids are supposed to be delivered by the male winged spirit on the left representing the sun god Hu and his hidden form, the rain storm god Ba'al. These wings indicate his middle layer role. Notice that Hu is carrying an empty water bag indicating that this layer is not functioning properly.
(Updated March 30, 2024) The next image clockwise around the room shows the blinding of Cyclops who is an agent of the motion source and full moon god Su. The god Su is often represented as an "eye."
Cyclops is the motion power demon while Skadi mentioned earlier is the life-growth power demon. In Greek “Cyclops” is written two ways: Κύκλωπες (KUKL’PEZ) and Κύκλωψ (KUKL’Š). These are:
The earliest mentions of Cyclops in Greek literature are in Hesiod and Homer both dating to about this same time of 500 BCE. Hesiod's "Theogony" states that cyclopses were the sons of Uranus (Sky) and Gaia (Earth) who were also the parents of the moon, sun, and planets. The cyclops in Homer are portrayed as shepherds in Sicily. The shepherd analogy is significant because an Akkadian an epithet for magic crafter is "shepherd." Emotions were one source of motion powers with the other being the astrological night sky represented by Su.
(November 12, 2023, updated December 20, 2024)
The next image clockwise around the room shows three deities in a cloud. They are right to left: dark new moon god Su with a bear cap, underworld goddess of fate Kate/Hekate with snakes in her hair (symbols of life and death), and the manifestation/emanation god Hu holding the spear. (Original photo: Rönnlund, Wikimedia Commons, 2012).
(April 19, 2024, Updated December 20, 2024) According to the text, the characters are right to left:
Dark new moon god Su who is the source of motion/emotion powers.
The emanation god Hu who represents sun light/heat and rain who is being blamed for a lack of emanations. According to the Aegean Druid tradition both life and motion powers must work together to manifest life on earth.
Possibly the god Alu who is the source of life powers (fertility-fluids). Unfortunately, the beginning of the text is destroyed making identification uncertain.
This scene shows an embarrassed god Hu standing between an old Alu on the left and a younger Su on the right. Previously these deities were misidentified as Vanth, Agamemnon, and Tiresias. Each plant in this scene divides the layers of the Ancient Pagan Paradigm which are represented by their main life class deities. The left plant has 6 nymphs representing the 6 known planets (eye-of-fate) of the sky shell between Hu and Alu. These planets are: Moon, Mercury, Venus, Mars, Jupiter, and Saturn. (Original photo by Rönnlund, Wikimedia Commons, 2012).
According to the text, the destroyed image behind the god Su should have been the underworld goddess Kate/Hekate. Presumably, Su's text would have been lower down and located in front of Su but that has also been destroyed.